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By this time, Nell was struggling with a dish of hard underdone crab-apples. She chased a refractory apple round and round in its small dish. Finally, with a feeling of triumph, she brought the apple to a halt. Alas! it did not yield to the prodding of the spoon, but bounced up and with an accuracy worthy of a better cause, landed on the eye of Howard Eliot. Betty, all this time feasting her eyes on the new-comer, and enjoying the unusual opulence of the table, burst into hearty laughter.,

The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores.,

He returned his notes to his pocket with the assurance of one whose unreliable memory has been fortified and rendered infallible. Nevertheless the voluminous folds of Eliza Wopp’s cotton nightgown fluttered all night under the starry heavens.,

CHAPTER XIII.—MOSES GAINS PRESTIGE.

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“But it isn’t ten o’clock.”,

“The whale went splurgin’ an’ splutterin’ through the waves, mebbe blowin’ up a big waterspout like we see them doin’ in the jography picters. Then Joner prayed like everything an’ wrastled with the Lord, an’ his prayer was heerd, an’ the whale spit him up on the bank.”,

Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.,

“But the Lord hed his eye on Joner an’ put an orful wind on the sea.”